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Nazi Literature in the Americas

Part of Bolaño’s genius is to ask, via ironies so sharp you can cut your hands on his pages, if we perhaps find a too-easy comfort in art, if we use it as anesthetic, excuse and hide-out in a world that is very busy doing very real things to very real human beings. Is it courageous to read Plato during a military coup or is it something else?

That's from one review of the newly translated Roberto Bolaño book.  (Might it have been titled "Conservative Fascism"?)  This work is not a structured narrative but rather a series of impressionistic portraits of how easy it is for some people to slip into being horrible and stay that way.  Imagine a fictional bestiary of creepy aesthetes who are playing at human relationships, sleepwalking through their dreamlike yet trivial obsessions, and in the meantime pledging allegiance to tyranny.  Literature is a "surreptitious form of violence" throughout.

Here are excerpts from other reviews.  At this point it goes without saying that everything by Bolaño is essential reading; however you may find many parts baffling if you don't have a strong background in things Latin American.

Posted by Tyler Cowen on February 29, 2008 at 06:16 AM in Books | Permalink

Comments

I should point out, just in case anyone else was confused, that these are 2 different guys:

http://en.wikipedia.org/wiki/Roberto_Bola%C3%B1o
http://en.wikipedia.org/wiki/Roberto_G%C3%B3mez_Bola%C3%B1os

Posted by: n. at Feb 29, 2008 9:33:49 AM

PS: I think the other guy (Chavo del Ocho) is somehow essential for understanding things Latin American, too. Well, and vice versa.

Posted by: n. at Feb 29, 2008 9:50:31 AM

Is the book meant to be a parody of those who waxed poetically about Stalin?

Posted by: ElamBend at Feb 29, 2008 10:44:20 AM

"it goes without saying that everything by Bolaño is essential reading"

AMEN!!!!!

Posted by: Mariano at Feb 29, 2008 12:54:07 PM

You say "everything by Bolaño is essential reading". Upon reading Goldman's "The Great Bolaño", let me say: No me vengas con chingaderas, Tyler Cowen. Borges could move between the fictive and the real because he wrote about a reality that he knew first hand. From Goldman's review and my "strong background" in things Argentinian and Chilean, I got the impression that in his work Bolaño moved between the fictive and the LA's "official story" as told by the Left.

Posted by: Edgardo at Feb 29, 2008 1:01:10 PM

Yet another opportunity for me to link to The Logical Fallacy of Generalization from Fictional Evidence.

Posted by: TGGP at Feb 29, 2008 2:49:00 PM

While there wasn't any "Nazi Literature in America," there was plenty of "Stalinist Literature in America," but we can drop that inconvenient fact down the old memory hole.

Posted by: Steve Sailer at Feb 29, 2008 5:14:15 PM

According to Tyler Cowen's quotation, the reviewer asks, "Is it courageous to read Plato during a military coup or is it something else?" It might be something else, perhaps moderate, just, prudent, or even all four. At any rate, a reader of Plato and Aristotle who has even ordinary competence will remember to consider the possibility that courage is the least of the moral virtues. A reader of higher competence will have already begun to suspect that reading Plato with extreme care and penetration might equip a succession of intellectually virtuous men to survive and find partial remedies for the tyrants under which they will suffer. Thus, he will not have time to read Bolaño, but if he looks at Stacey D'Erasmo's review, he will laugh at the old news "that culture, in particular literary culture, is a whore," knowing its derivation from the speeches of the Eleatic Stranger in Plato's Sophist and those of Socrates in Plato's Republic. And if he takes up a pen against a contemporary tyrant, it won't be because one more whore has cast aspersion on the philosophers.

Posted by: Kralizec at Mar 2, 2008 6:42:07 PM

Bolano makes the point that winners write history using deft parody and humour...but this is a minor work. Not worth the raves it's receiving.

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